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In the current study we use electroencephalography (EEG) to detect heard music from the brain signal, hypothesizing that the time structure in music makes it especially suitable for decoding perception from EEG signals. While excluding music with vocals, we classified the perception of seven different musical fragments of about three seconds, both(More)
Two cross-linguistic experiments comparing musicians and non-musicians were performed in order to examine whether musicians have enhanced perception of specific acoustical features of speech in a second language (L2). These discrimination and identification experiments examined the perception of various speech features; namely, the timing and quality of(More)
Four real-time visual feedback computer tools for singing lessons (SINGAD, ALBERT, SING & SEE, and WinSINGAD), and the research carried out to evaluate the usefulness of these systems are reviewed in this article. We report on the development of user-functions and the usability of these computer-assisted learning tools. Both quantitative and qualitative(More)
This study reports effects of a high-variability training procedure on nonnative learning of a Japanese geminate-singleton fricative contrast. Thirty native speakers of Dutch took part in a 5-day training procedure in which they identified geminate and singleton variants of the Japanese fricative /s/. Participants were trained with either many repetitions(More)
Multivariate pattern classification methods are increasingly applied to neuroimaging data in the context of both fundamental research and in brain-computer interfacing approaches. Such methods provide a framework for interpreting measurements made at the single-trial level with respect to a set of two or more distinct mental states. Here, we define an(More)
A study was conducted to test the effect of two different forms of real-time visual feedback on expressive percussion performance. Conservatory percussion students performed imitations of recorded teacher performances while receiving either high-level feedback on the expressive style of their performances, low-level feedback on the timing and dynamics of(More)
The aim of this study is to shed light on the relation between rhythm perception and production. We try to show that empirical results concerned with rhythm perception and production described in the literature are in fact related according to Bayes-rule. This is addressed in a meta-analysis comparing empirical results from a number of existing perception(More)
The current study reports specific cases in which a positive transfer of perceptual ability from the music domain to the language domain occurs. We tested whether musical training enhances discrimination and identification performance of L2 speech sounds (timing features, nasal consonants and vowels). Native Dutch and Japanese speakers with different(More)
The current study reports the enhancing effect of a high variability training procedure in the learning of a Japanese geminate-singleton fricative contrast. Dutch natives took part in a five-day training procedure in which they identified geminate and singleton variants of the Japanese fricative /s/. They heard either many repetitions of a limited set of(More)
Background In traditional music education, the teacher usually provides the student with verbal feedback. Two major problems arise from this teaching method. First, verbal feedback is prone to ambiguous interpretation. Second, there exists a time lag between the student's ?performance and the teacher's feedback, this gap in time being the critical learning(More)