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Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI
- N. Orio, N. Schnell, M. Wanderley
- Computer Science, ArtComputer Music Journal
- 1 April 2001
TLDR
New Digital Musical Instruments: Control And Interaction Beyond the Keyboard (Computer Music and Digital Audio Series)
- E. Miranda, M. Wanderley
- Art
- 2006
TLDR
The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field
- M. Wanderley, B. Vines, Neil Middleton, C. McKay, Wes Hatch
- Art
- 1 March 2005
TLDR
Cross-modal interactions in the perception of musical performance
- B. Vines, C. Krumhansl, M. Wanderley, D. Levitin
- PsychologyCognition
- 1 August 2006
Musical Gestures: concepts and methods in research
- A. Jensenius, M. Wanderley, R. I. Godøy, M. Leman
- Psychology, Art
- 12 February 2010
In the last decade, cognitive science underwent a change of paradigm by bringing human movement into the focus of research. Concepts such as ‘embodiment’ and ‘enactive’ have been proposed as core…
Quantitative Analysis of Non-obvious Performer Gestures
- M. Wanderley
- BusinessGesture Workshop
- 18 April 2001
TLDR
The Importance of Parameter Mapping in Electronic Instrument Design
- Andy Hunt, M. Wanderley, M. Paradis
- PhysicsNIME
- 1 May 2002
TLDR
Gestural control of sound synthesis
- M. Wanderley, P. Depalle
- ArtProceedings of the IEEE
- 8 November 2004
TLDR
Mapping performer parameters to synthesis engines
- Andy Hunt, M. Wanderley
- Computer ScienceOrganised Sound
- 1 August 2002
TLDR
Visual Methods for the Retrieval of Guitarist Fingering
- A. Burns, M. Wanderley
- PsychologyNIME
- 4 June 2006
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