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Tokyo 1955-1970: A New Avant-Garde
"Tokyo 1955-1970: A New Avant-Garde" explores the extraordinary convergence of artists, intellectuals, and creators in Japans capital city during the radically transformative postwar period.Expand
Fault Lines: Cultural Memory and Japanese Surrealism
Illustrations A note on Japanese names Prologue: what is called surrealism 1. Introduction 2. Distant realities 3. On memory and doubt 4. Poetry and visuality, poetry and actuality 5. Eternities andExpand
Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return
In the years of rapid economic growth following the protest movements of the 1960s, artists and intellectuals in Japan searched for a means of direct impact on the whirlwind of historical andExpand
Hands, Lines, Acts: Butoh and Surrealism
Critics of Japanese culture often claim that the avant-garde movements in Japan reached full realization only in the experi mental arts of the late 1950s to the 1970s. Indeed, the avant-garde artsExpand
Imitation and Creativity in Japanese Arts: From Kishida Ryūsei to Miyazaki Hayao by Michael Lucken (review)
Published by the Harvard-Yenching Institute HJAS 78.1 (2018): 268–273 intellectual. This reputation has never been successfully challenged in the century since his death. While Lu Xun indictedExpand
Knowledge Work, Literary History, and the Future of Literary Studies
Author(s): Liu, Alan; Sas, Miryam; Ascoli, Albert; Marcus, Sharon | Abstract: As part of the Townsend Center's 1997-98 "Futures" program, Alan Liu conducts a full-scale inquiry into the prospects forExpand
Subject Index, Vol. 17, 1983
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