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Vaporwave, or music optimised for abandoned malls
- Laura Glitsos
- ArtPopular Music
- 8 December 2017
Abstract In this article I focus on the genre of ‘vaporwave’, using the artist 18 Carat Affair as a case study, to explore the way the genre works as a project that produces, and takes pleasure in, a…
The Pepe the Frog meme: an examination of social, political, and cultural implications through the tradition of the Darwinian Absurd
- Laura Glitsos, J. Hall
- ArtJournal for Cultural Research
- 2 October 2019
ABSTRACT This article offers an examination of the meme known as Pepe the Frog. In 2015, the Pepe the Frog meme was crowned ‘biggest meme of the year’ by Tumblr. However, only one year later, the…
Ways of feeling: The transformation of emotional experience in music listening in the context of digitisation
- Laura Glitsos
- Psychology
- 2016
Nice girls don’t jive: the rise and fade of women in Perth music from the late 1950s to the early 1970s
- Laura Glitsos
- History
- 4 March 2017
Abstract This article examines the historical and social particularities that shaped women’s experiences as musicians in Perth popular music in the 1950s through to the early 1970s. In particular, I…
Chapter 5 Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime
- Laura Glitsos
- ArtAustralian Metal Music: Identities, Scenes, and…
- 4 June 2019
Abstract
This chapter is an examination of the contribution of female musicianship to the Perth metal scene, particularly in relation to the positioning of women in frontier mythology and the ways…
Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s
- Laura Glitsos
- SociologyPerfect Beat
- 11 October 2019
This article calls for a recognition of women’s roles in contributing to the Perth popular music scene during the 1980s and 1990s. The research thus functions as a balance to the already established…
The Camera Phone in the Concert Space
- Laura Glitsos
- ArtMusic, Sound, and the Moving Image
- 1 July 2018
In this article, I argue that screen relations have profoundly redirected affective and aesthetic strategies of live music experience to culminate in a complex relationship with camera phone techno...
The Camera Phone in the Concert Space: Live Music and Moving Images on the Screen
- Laura Glitsos
- Sociology, Art
- 1 April 2018
Abstract:In this article, I argue that screen relations have profoundly redirected affective and aesthetic strategies of live music experience to culminate in a complex relationship with camera phone…
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community
- Laura Glitsos
- SociologyPopular Music and Society
- 1 January 2020
ABSTRACT This study investigates and elaborates on the experiences of female musicians in the Perth metal music community, which has traditionally been identified as a male-dominated environment and…
Future Bodies, Future Music
- Laura Glitsos
- ArtSomatechnics and Popular Music in Digital…
- 2019
This chapter reflects on several practices of music listening which have emerged in the past decade and which integrate virtual or mixed realities such as TheWaveVR and 3D mapping at live shows. By…
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