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Drawing is the New Painting
- Karen Kurczynski
- Art
- 1 March 2011
Painting and drawing are back. That s the big news. —Peter Schjeldahl Drawing is the new Painting. Drawing reveals processes that painting hides. Drawing in paint enlivens painting. Drawing is…
Expression as vandalism: Asger Jorn's "Modifications"
- Karen Kurczynski
- ArtRES: Anthropology and Aesthetics
- 1 March 2008
In a 1962 painting, Danish Situationist and artist Asger Jorn declared in a graffiti-like gesture that "the avant-garde won't give up/' The phrase appeared not in a theoretical text as was his usual…
The Art and Politics of Asger Jorn: The Avant-Garde Won't Give Up
- Karen Kurczynski
- Art
- 10 September 2014
Primitivism, humanism, and ambivalence: Cobra and Post-Cobra
- Karen Kurczynski, Nicola Pezolet
- ArtRES: Anthropology and Aesthetics
- 1 March 2011
Expressionism, Freedom, and the Cold War (Chicago: University of Chicago Press, 1983), p. 113. 46. E. Laclau, On Populist Reason (New York: New Left Books, 2005). On Cobra’s relation to the popular,…
Book Reviews
- G. Baruchello, G. Baruchello, Stephanie M Stacey
- History
- 1 April 2008
subjects. The third book on marriage has its own charms, but it is commented upon by the editors less extensively. The publication can be seen in the light of the notable effort made by Christos…
Searching for New Ground
- Karen Kurczynski
- ArtArt Journal
- 3 July 2019
TLDR
Leveraging Situationism?
- Karen Kurczynski
- Art
- 1 September 2008
The construction of situations begins beyond the ruins of the modern spectacle. It is easy to see how much the very principle of the spectacle – non-intervention – is linked to the alienation of the…
Thinking Through Drawing with William Kentridge
- Karen Kurczynski
- Art
- 1 June 2016
Freedom of expression is a foundational concept of Western modernism. It is closely associated with the two-dimensional mediums of painting and, it has become especially clear in the past few…
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