Joseph Patrick

Learn More
Multi-channel sound diffusion has been an essential part of the electroacoustic music process from the very beginning of the genre. We see early experimentation in sound spa-tialization in Varèse's use of loudspeaker " paths " in Poémè Electronique, Stockhausen's experiments in quad and cube-based speaker arrangements (Chadabe 1997), and Chown-ing's(More)
The Immersive Computer-controlled Audio Sound Theater (ICAST, pronounced " eye-cast ") is an ongoing research project that addresses performance issues in electroacoustic music. By exploring a variety of differing performance modes through a computer-controlled loudspeaker environment that is malleable, adaptable and intuitive, we are able to explore new(More)
  • 1