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- Publications
- Influence
Exchanging Glances: Vision and Representation in Aeschylus' Agamemnon
- J. Fletcher
- History
- 22 March 1999
Drama and the plastic arts are different manifestations of the mimetic impulse, each in its own way bringing about a form of visual pleasure. (1) It seems obvious that ancient Greek theatre and vase… Expand
- 3
- 1
Choral Voice and Narrative in the First Stasimon of Aeschylus "Agamemnon"
- J. Fletcher
- Art, History
- 21 January 1999
WHOSE VOICE DO WE HEAR in a choral ode? For many it is the "voice of the poet," and if we define the poet as the speaker of truth and ultimate narrative authority, we can indeed hear the chorus… Expand
Euripides' Electra - (H.M.) Roisman, (C.A.E.) Luschnig (ed.) Euripides' Electra. A Commentary . (Oklahoma Series in Classical Culture 38.) Pp. xviii + 366, ills. Norman: University of Oklahoma Press,…
- J. Fletcher
- History
- 1 October 2012
Citing the Law in Sophocles's Antigone
- J. Fletcher
- Art
- 1 September 2008
The citizens of fifth century BCE Athens who wrote, produced, performed, watched, and judged Greek tragedy accepted certain anachronisms in the depiction of a mythological past that focused on the… Expand
- 5
Euripides’ Alcestis, with Notes and Commentary by C.A.E. Luschnig, H.M. Roisman (review)
- J. Fletcher
- History
- 2005
The Catabasis of Mattie Ross in the Coens' True Grit
- J. Fletcher
- Philosophy
- 2013
This paper argues that the Coen Brothers' 2010 version of True Grit makes innovations to the original novel by Charles Por- tis that evoke the Greek myth of the descent to the underworld, or… Expand