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A concept of a mobile phone based system which takes advantage of the influence of listened music during endurance training on running pace, will be presented in this paper. The main goal of the system relies in the support of athletes to achieve their correct target heart rate (THR) during endurance training in the field of recreational and preventive(More)
Especially in the low-budget and amateur score music production workflow the triangular communication between editor, director and composer is constrained by limited resources, tight schedules and the lack of common domain knowledge. Often sound-a-like ideas and precomposed material end up as static temp tracks in the rough cut and thus limit the(More)
Klang.Reise is an audio-visual installation created for the exhibition Klang.Land.Schaften at Klangturm St. Poelten in 2011. Main goal was to make soundscapes observable in a museum and to raise awareness for environmental sounds. Five locations were recorded and presented via Ambient Cinema on four screens and multi-channel sound. The variations of the(More)
The process of composing score music for a movie includes two different types of stakeholders: musical experts (a composer) and non-experts (a movie director, producer, editor etc.). These different preconditions often result in difficulties regarding the interaction and communication between the involved individuals. Here, a threefold approach was taken to(More)
Finding appropriate and high-quality audio files for the creation of a sound track nowadays presents a serious hurdle to many media producers. As most digital sound archives restrict the categoriza-tion of audio data to verbal taxonomies, this process of retrieving suitable sounds often becomes a tedious and time-consuming part of their work. The research(More)
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