• Publications
  • Influence
Following Gesture Following: Grounding the Documentation of a Multi-Agent Music Creation Process
TLDR
The documentation of electroacoustic and mixed musical works having technological components should be grounded in a thorough documentation of the creative process that accounts for both human and nonhuman agents of creation. Expand
  • 6
  • 1
Browsing inside a Music Track, the Experimentation Case Study
TLDR
We have reported on user sessions of the browsing inside a music track interface of the Semantic-HIFI system. Expand
  • 15
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Archiving electroacoustic and mixed music: Significant knowledge involved in the creative process of works with spatialisation
TLDR
We identify, operationalise, and test a knowledge management model in the context of electroacoustic and mixed music preservation for the specification of meaningful usability for idiosyncratic technological artefacts build up during the creative process. Expand
  • 11
Co-construction of meaning, creative processes and digital curation: The transmission of music with live electronics
  • G. Boutard
  • Computer Science
  • J. Documentation
  • 13 June 2016
TLDR
A documentation methodology for the preservation of contemporary music with live electronics, focussing on the notion of intelligibility. Expand
  • 4
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A Digital Archives Framework for the Preservation of Cultural Artifacts with Technological Components
TLDR
The preservation of artistic works with technological components, such as musical works, is recognised as an issue by both the artistic community and the archival community. Expand
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A Digital Archives Framework for the Preservation of Artistic Works with Technological Components
The preservation of artistic works with technological components, such as musical works, is recognised as an issue by both the artistic community and the archival community. Preserving such worksExpand
  • 4
Towards mixed methods digital curation: facing specific adaptation in the artistic domain
TLDR
We propose an epistemological framework based on mixed methods research to support specific adaptation of digital preservation models (such as the Open Archival Information System) in relation to digital curation models ( such as the Digital Curation Centre curation lifecycle). Expand
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Construction d’une enquête sur l’interprétation des musiques acousmatiques
La notion d’interpretation dans le champ de la musique acousmatique n’est pas evidente. Elle touche a la question de l’espace mais pas uniquement. A travers la parole des experts nous tentons deExpand
  • 2
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Our Research for lost Route to Root
TLDR
In contemporary arts many non conventional instruments, devices and technologies are used so as many new way of interaction man-machine to produce new artistic works. Expand
  • 2
Virtualization of real time audio processes : towards a musical notation of contemporary music.
TLDR
We will present the methodology we develop in the ASTREE project for building knowledge in relation to musical works, and particularly for digital processes that are considered as specific music instruments. Expand
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