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The changing face of the Other in Romanian films
This article focuses on how the Other is represented and understood in films produced in Romania during periods of radical political, social and economic change. Specifically it addresses filmsExpand
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Spaces in-between worlds
Romanian Cinematic Nationhood
This article analyses the way the concept of nation is reflected in film using the theory of cinematic nationhood and the method of relational constructivism. More specifically, it looks at how theExpand
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Doleo, ergo sum: the masochistic aesthetic of Sergei Loznitsa’s My Joy (2010)
This article explores the masochistic aesthetic in Sergei Loznitsa’s feature film My Joy (Schast′e moe, 2010). It positions the film as part of a revitalization of the post-Soviet cinematic trendExpand
Social Trauma and Distortions of Phantasy Formations
This article proposes a model for analyzing transformations of phantasy formations triggered by radical social change. Phantasy has been rarely addressed by scholars studying radical social change,Expand
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From Communism to Capitalism: Reshaping the Space of the Nation
This chapter1 focuses on the space of the nation as presented in the films produced in Romania during communism, transition to democracy, and democracy. It starts with the assumption that space isExpand
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