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Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony
We investigated the effect of musical expertise on sensitivity to asynchrony for drumming point-light displays, which varied in their physical characteristics (Experiment 1) or in their degree ofExpand
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Modelling the mechanical response of the reed-mouthpiece-lip system of a clarinet. Part II: A lumped model approximation
A non-linear lumped model of the reed-mouthpiece-lip system of a clarinet is formulated, in which the lumped parameters are derived from numerical experiments with a finite-difference simulationExpand
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A Modular Physically Based Approach to the Sound Synthesis of Membrane Percussion Instruments
This paper presents a set of novel physical models for sound synthesis of membrane percussion instruments. First, a model for tension modulation in a struck circular membrane is discussed, whichExpand
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Interactive Simulation of rigid body interaction with friction-induced sound generation
Acoustic simulation of friction is a particularly challenging task, because continuous (strong) contact conditions require a tight and veridical integration of the synthesis layer with the controlExpand
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Haptic-Auditory Rendering and Perception of Contact Stiffness
This paper presents an experiment on the relative contributions of haptic and auditory information to bimodal judgments of contact stiffness using a rigid probe. Haptic feedback is rendered via aExpand
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Controlling Material Properties in Physical Models of Sounding Objects
Contact sounds can provide information for material perception, and according to previous studies decay seems to be one of the most important cues. This information can be used to tune a physicalExpand
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Substituting auditory for visual feedback to adapt to altered dynamic and kinematic environments during reaching
The arm movement control system often relies on visual feedback to drive motor adaptation and to help specify desired trajectories. Here we studied whether kinematic errors that were indicated withExpand
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Action expertise reduces brain activity for audiovisual matching actions: An fMRI study with expert drummers
When we observe someone perform a familiar action, we can usually predict what kind of sound that action will produce. Musical actions are over-experienced by musicians and not by non-musicians, andExpand
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MODELING COLLISION SOUNDS: NON-LINEAR CONTACT FORCE
A model for physically based synthesis of collision sounds is proposed. Attention is focused on the non-linear contact force, for which both analytical and experimental results are presented.Expand
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