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  • Eva Björkner
  • 2008
The considerable voice timbre differences between musical theater (MT) and western operatic singers are analyzed with respect to voice source and formant frequencies in five representatives of each singer group. Audio, subglottal pressure (P(sub)), and electroglottograph (EGG) signals were recorded while the subjects sang a sequence of [pae:] syllables(More)
Musical theater singing typically requires women to use two vocal registers. Our investigation considered voice source and subglottal pressure P(s) characteristics of the speech pressure signal recorded for a sequence of /pae/ syllables sung at constant pitch and decreasing vocal loudness in each register by seven female musical theater singers. Ten equally(More)
Research on the vocal expression of emotion has long since used a "fishing expedition" approach to find acoustic markers for emotion categories and dimensions. Although partially successful, the underlying mechanisms have not yet been elucidated. To illustrate that this research can profit from considering the underlying voice production mechanism, we(More)
SUMMARY Inverse filtering (IF) is a common method used to estimate the source of voiced speech, the glottal flow. This investigation aims to compare two IF methods: one manual and the other semiautomatic. Glottal flows were estimated from speech pressure waveforms of six female and seven male subjects producing sustained vole /a/ in breathy, normal, and(More)
This study presents an approach to visualizing intensity regulation in speech. The method expresses a voice sample in a two-dimensional space using amplitude-domain values extracted from the glottal flow estimated by inverse filtering. The two-dimensional presentation is obtained by expressing a time-domain measure of the glottal pulse, the amplitude(More)
"Throaty" voice quality has been regarded by voice pedagogues as undesired and even harmful. This study attempts to identify acoustic and physiological correlates of this quality. One male and one female subject read a text habitually and with a throaty voice quality. Oral pressure during p-occlusion was measured as an estimate of subglottal pressure.(More)
Emotions have strong effects on the voice production mechanisms and consequently on voice characteristics. The magnitude of these effects, measured using voice source parameters, and the interdependencies among parameters have not been examined. To better understand these relationships, voice characteristics were analyzed in 10 actors' productions of a(More)
The subglottal pressure (Ps) and voice source characteristics of five professional baritone singers have been analyzed and the normalized amplitude quotient (NAQ), defined as the ratio between peak-to-peak pulse amplitude and the negative peak of the differentiated flow glottogram and normalized with respect to the period time, was used as an estimate of(More)
Acoustic models of emotions may benefit from considering the underlying voice production mechanism. This study sought to describe emotional expressions according to physiological variations measured from the inverse-filtered glottal waveform in addition to standard parameter extraction. An acoustic analysis was performed on a subset of the /a/ vowels within(More)
This thesis addresses aspects of voice characteristics in operatic and musical theatre singing. The common aim of the studies was to identify respiratory, phonatory and resonatory characteristics accounting for salient voice timbre differences between singing styles. The velopharyngeal opening (VPO) was analyzed in professional operatic singers, using(More)