Emmanuel Vincent

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In this paper, we discuss the evaluation of blind audio source separation (BASS) algorithms. Depending on the exact application, different distortions can be allowed between an estimated source and the wanted true source. We consider four different sets of such allowed distortions, from time-invariant gains to time-varying filters. In each case, we(More)
Multiple pitch estimation consists of estimating the fundamental frequencies and saliences of pitched sounds over short time frames of an audio signal. This task forms the basis of several applications in the particular context of musical audio. One approach is to decompose the short-term magnitude spectrum of the signal into a sum of basis spectra(More)
The CHiME challenge series aims to advance far field speech recognition technology by promoting research at the interface of signal processing and automatic speech recognition. This paper presents the design and outcomes of the 3rd CHiME Challenge, which targets the performance of automatic speech recognition in a real-world, commercially-motivated(More)
This paper addresses the modeling of reverberant recording environments in the context of under-determined convolutive blind source separation. We model the contribution of each source to all mixture channels in the time-frequency domain as a zero-mean Gaussian random variable whose covariance encodes the spatial characteristics of the source. We then(More)
We aim to assess the perceived quality of estimated source signals in the context of audio source separation. These signals may involve one or more kinds of distortions, including distortion of the target source, interference from the other sources or musical noise artifacts. We propose a subjective test protocol to assess the perceived quality with respect(More)
Distant microphone speech recognition systems that operate with humanlike robustness remain a distant goal. The key difficulty is that operating in everyday listening conditions entails processing a speech signal that is reverberantly mixed into a noise background composed of multiple competing sound sources. This paper describes a recent speech recognition(More)
This paper is an extended abstract which provides a brief preliminary overview of the 2005 Music Information Retrieval Evaluation eXchange (MIREX 2005). The MIREX organizational framework and infrastructure are outlined. Summary data concerning the 10 evaluation contests is provided. Key issues affecting future MIR evaluations are identified and discussed.(More)
Distant-microphone automatic speech recognition (ASR) remains a challenging goal in everyday environments involving multiple background sources and reverberation. This paper is intended to be a reference on the 2nd ’CHiME’ Challenge, an initiative designed to analyze and evaluate the performance of ASR systems in a real-world domestic environment. Two(More)
Most audio source separation methods are developed for a particular scenario characterized by the number of sources and channels and the characteristics of the sources and the mixing process. In this paper, we introduce a general audio source separation framework based on a library of structured source models that enable the incorporation of prior knowledge(More)
This paper presents theoretical and experimental results about constrained non-negative matrix factorization (NMF) in a Bayesian framework. A model of superimposed Gaussian components including harmonicity is proposed, while temporal continuity is enforced through an inverse-Gamma Markov chain prior. We then exhibit a space-alternating generalized(More)