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Film critics and theorists often refer to the ‘worlds’ that films create, present, or embody, e.g. the world of Eraserhead (David Lynch, 1977) or the world in Fanny and Alexander (Ingmar Bergman,… (More)
Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle… (More)
Related to the main themes of a forthcoming monograph ( Film Worlds: A New Conception of Cinema as Art , Columbia University Press) this paper argues that despite its salutary emphasis on film… (More)
AbstractDefying easy classification in the traditionally opposed terms of ‘realism’ and ‘formalism’, and poised between conventional narrative cinema and more experimental European art-film… (More)