Cyril Laurier

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Recent music information retrieval (MIR) research pays increasing attention to music classification based on moods expressed by music pieces. The first Audio Mood Classification (AMC) evaluation task was held in the 2007 running of the Music Information Retrieval Evaluation eXchange (MIREX). This paper describes important issues in setting up the task,(More)
In this paper we present a study on music mood classification using audio and lyrics information. The mood of a song is expressed by means of musical features but a relevant part also seems to be conveyed by the lyrics. We evaluate each factor independently and explore the possibility to combine both, using natural language processing and music information(More)
This paper presents findings about mood representations. We aim to analyze how do people tag music by mood, to create representations based on this data and to study the agreement between experts and a large community. For this purpose, we create a semantic mood space from tags using Latent Semantic Analysis. With an unsupervised clustering(More)
Music perception is highly intertwined with both emotions and context. Not surprisingly, many of the users’ information seeking actions aim at retrieving music songs based on these perceptual dimensions – moods and themes, expressing how people feel about music or which situations they associate it with. In order to successfully support music retrieval(More)
In this paper, we present an analysis of the associations between emotion categories and audio features automatically extracted from raw audio data. This work is based on 110 excerpts from film soundtracks evaluated by 116 listeners. This data is annotated with 5 basic emotions (fear, anger, happiness, sadness, tenderness) on a 7 points scale. Exploiting(More)
In this paper we present a way to annotate music collections by exploiting audio similarity. Similarity is used to propose labels (tags) to yet unlabeled songs, based on the content–based distance between them. The main goal of our work is to ease the process of annotating huge music collections, by using content-based similarity distances as a way to(More)
  • Enric Guaus i Termens, Xavier Serra, +14 authors Josep Maria Comajun
  • 2010
This dissertation presents, discusses, and sheds some light on the problems that appear when computers try to automatically classify musical genres from audio signals. In particular, a method is proposed for the automatic music genre classification by using a computational approach that is inspired in music cognition and musicology in addition to Music(More)
In the context of content analysis for indexing and retrieval, a method for creating automatic music mood annotation is presented. The method is based on results from psychological studies and framed into a supervised learning approach using musical features automatically extracted from the raw audio signal. We present here some of the most relevant audio(More)
A robust and efficient technique for automatic music mood annotation is presented. A song’s mood is expressed by a supervised machine learning approach based on musical features extracted from the raw audio signal. A ground truth, used for training, is created using both social network information systems and individual experts. Tests of 7 different(More)