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The Place Where You Go to Listen: In Search of an Ecology of Music. John Luther Adams.
- David Paquette, Andra McCartney
- History
- 6 February 2010
Ethical Questions about Working with Soundscapes
- Andra McCartney
- ArtOrganised Sound
- 30 June 2016
When soundscape composers, documentarians and artists work with soundscapes, they are expressing relationships with the world, through their treatment of place, sounds and audience. A number of…
Gender, Genre and Electroacoustic Soundmaking Practices
- Andra McCartney
- Art
- 7 December 2012
This article is an exploration of how genres and practices of electroacoustic soundmaking are gendered, examining processes of gendering in language used in the early dichotomous categorization…
IV. New Games in the Digital Playground: Women Composers Learning and Teaching Electroacoustic Music
- Andra McCartney
- Art
- 1 May 2002
Soundwalking and improvisation
- Andra McCartney
- Art, Physics
- 1 September 2010
Proponents of soundwalks have sometimes referred to the improvisational listening that is required in order to work with differing weather patterns, seasonal and other changes in the soundscape, as…
In and out of the sound studio
- Andra McCartney
- ArtOrganised Sound
- 1 April 2003
TLDR
In and Out of the Sound Studio : Introduction
- Andra McCartney, Ellen Waterman
- Art
- 7 December 2012
In the introduction to this special issue of Intersections, Andra McCartney and Ellen Waterman reflect on In and Out of the Sound Studio, an inter-university ethnographic research project funded by…
Soundwalking and the Bodily Exploration of Places
- David Paquette, Andra McCartney
- Art
- 29 March 2012
ABSTRACT This article explores the use of walking and soundwalking as research practices and artistic performances, and presents the current work of the Soundwalking Interactions research-creation…
Inventing Images: Constructing and Contesting Gender in Thinking about Electroacoustic Music
- Andra McCartney
- Art, Sociology
- 6 July 2016
The author explores symbolic imagery in the world of electroacoustic music, as presented in both popular music publications and the language of 14 Canadian women composers. While mainstream discourse…
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