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We describe a computational project concerning labeling of dissonance treatments – schematic descriptions of the uses of dissonances. We use automatic score annotation and database methods to develop schemata for a large corpus of 16th-century polyphonic music. We then apply structural techniques to investigate coincidence of schemata, and to extrapolate(More)
Musical meta-creation is an artistic and technical field in which the results (i.e. music) often cannot be empirically tested. The processes by which music is generated, however, afford a rational level of discourse. This paper suggests ways in which we might orient our discussion and our system-building in order to explore musical possibility and use(More)
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