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Safety-culture and the logic of hazard
Abstract South Africans tend to take a neglectful attitude toward hazard in general.This article identifies and qualifies the forms of practical reasoning that make such negligence possible. TheExpand
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A Confusion of Cinematic Consciousness
The authors highlight the differences in film consciousness about South Africa in the United States.
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Sociopolitical Transformation and the Media Environment
In this article the authors develop a critical strategic analysis of the term `African Renaissance', which has become current in the discourse since first enunciated by Nelson Mandela. With theExpand
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Restructuring the industry: South African cinema beyond Apartheid
Contemporary film policy generally focuses on questions concerning content, representation, and profitability. Content in this case covers narrative, documentary, educational and other kinds of filmExpand
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Special Issue: From One to An-Other: Auto-Ethnographic Explorations in Southern Africa
This volume deals with two discrete groups of San Bushmen who live to the north and south of the new Kgalagadi Transfrontier Park, which spans both South Africa and Botswana. The village we have beenExpand
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Towards a theory of orality in African cinema
The direct importation into Africa of methods, theories, ideas, and psychoanalytical assumptions developed in the First World and applied to African cinema is not without epistemological problems.Expand
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Gearing up the humanities for the digital era : research paper
The confluence of technology and the arts should be defined by coalescence rather than collision. Yet in tertiary institutions, impediments have characterised the passage of the arts into the global,Expand
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Ethics: a radical justice approach
This kind of preamble to any Code of Ethics overcomes all those hoary old arguments about the public's right to know, the so-called free-flow of information, and the conflict between Eurocentric andExpand
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